Y committed video broadway3/2/2024 That version has not, it’s safe to say, had a shelf life comparable to the movie. (“She had great comic timing but no sense of time,” Curtis wrote in a memoir.) And a reinvention has been attempted before: Sugar, a musical that paid new attention to the singer first played by Monroe, opened in 1972. ![]() On-set antics have become a kind of lore: Wilder made Lemmon and Curtis test their costumes by sending them into the ladies’ room on the Samuel Goldwyn lot Curtis soaked his feet in buckets of ice to relieve the pain of standing for hours in three-inch heels, waiting for the notoriously unpunctual Monroe to make it to set. To some, it spans no less than all of life: sex, money, romance, violence, wit. The American Film Institute has deemed it the funniest movie of all time. It was lauded by critics and banned in Kansas, which took offense not at the cross-dressing or suggestions of same-sex love but at Monroe’s sultry seductions. Nominated for six Academy Awards, Some Like It Hot took home the award for best costume design. “The American public wasn’t ready for that in 1959.” Brown says ‘Nobody’s perfect?’… People ask me that,” Wilder once said. “Nobody’s perfect,” he shrugs in the famous-and groundbreaking for its time-last line of the film. When Jerry reveals he is not a she, Osgood is undeterred. ![]() (He poses, again, as a millionaire to woo her into bed.) And then there’s Jack Lemmon as Jerry, the trombone-playing buddy, who starts the film as the go-along guy but ventures off on a journey of his own when his female self, Daphne, is pursued by a (legitimate) millionaire named Osgood, played by Joe E. There’s Tony Curtis as Joe turned Josephine, the womanizing bass player who concocts the cross-dressing escape plan but can’t commit to it enough to curtail his desire for Sugar. There’s Marilyn Monroe as the bruised bombshell Sugar “Kane” Kowalczyk, a bourbon-sipping singer (“not much of one,” she admits) attempting to outrun her bad decisions. Those who know the original 1959 Billy Wilder film often adore it: the romp, the caper, the costumes! It’s a farce with a heart of gold, telling the story of two Prohibition-era male jazz musicians who bear accidental witness to a gangster shoot-up and then go on tour-in drag-with an all-girl band in order to escape the thugs.īut never mind the improbable plot (film critic Manohla Dargis once wrote that the entire movie feels as though “it was directed inside gigantic quotation marks”) the film is really all about the performances. Let’s get the dirty work out of the way: It might not be a great idea to adapt Some Like It Hot into a Broadway musical.
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